Sakiko Yamaoka (Japón)
- Nacida en 1961, reside en Tokio. Estudió pintura en la Universidad de Arte Musashino, Tokio. Se ha involucrado en la práctica del arte de performance desde los años 90. Desde 1996 ha participado en varios festivales de arte de performance en todo el mundo, incluyendo diversos países de Europa y América del Norte / Sur, Corea, China y el sudeste asiático. Tomando la idea de la performance como un proceso pre-destinado, se acerca al cuerpo como un lugar único/nudo como su base desde la que ella construye una práctica que se extiende a través de la producción de eventos, imágenes en movimiento, la fotografía y el dibujo, basándose en temas de espacio público / privado, el tiempo esculpido y la conciencia de los cuerpos. En estos 2 ~ 3 años su obra se ha hecho cada vez más minimalista, desde que ella ha comenzado a estudiar el pensamiento tradicional japonés con más detalle.
- Sitio Web: http://www.sakikoyamaoka.com
Algunas de sus Performances en los archivos de Perfolink.-
- Performance: Principle of fluidity 2
- Fecha: 05-11-2016
- Connection > Eurasia, Festival de arte de Performance, Santiago, Chile
Think about BODIES and TIME, BODIES against TIME, BODIES with TIME. Time is abstract and conceptual, bodies are imaginary and fragile. Logically they might not fuse each other. Time itself has no limit, but bodies are possessed of limitations. But we all can SEE how they PLAY out their “CO-OPERATION” in the real SPACE. I like to observe this play, my own body and time, especially their slow, minimal changes and shifts. Within my work I attempt to place a medium between these two sides: the body and time, by taking DAILY MATERIAL made from the parts of the other CREATURE’S BODIES. Their potential energy helping to reflect the EVENTS which occur in this space more visually than my own body. For example, Japanese ink : made from soot of pine, vegetable oil and animal glue (30min) Butter : made from cow’s milk (4 hours duration) I want to focus on these PROCESS and share the EXPERIENCE with audience, to realize the one of very COMMON principal in the world, these are called the PRINCIPAL OF FLUIDITY. I believe they must be beautiful moments. HOPE…
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- Performance: Principle of fluidity 1
- Fecha: 04-11-2016
- Connection > Eurasia, Festival de arte de Performance, Santiago, Chile
Think about BODIES and TIME, BODIES against TIME, BODIES with TIME. Time is abstract and conceptual, bodies are imaginary and fragile. Logically they might not fuse each other. Time itself has no limit, but bodies are possessed of limitations. But we all can SEE how they PLAY out their “CO-OPERATION” in the real SPACE. I like to observe this play, my own body and time, especially their slow, minimal changes and shifts. Within my work I attempt to place a medium between these two sides: the body and time, by taking DAILY MATERIAL made from the parts of the other CREATURE’S BODIES. Their potential energy helping to reflect the EVENTS which occur in this space more visually than my own body. For example, Japanese ink : made from soot of pine, vegetable oil and animal glue (30min) Butter : made from cow’s milk (4 hours duration) I want to focus on these PROCESS and share the EXPERIENCE with audience, to realize the one of very COMMON principal in the world, these are called the PRINCIPAL OF FLUIDITY. I believe they must be beautiful moments. HOPE…
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